To begin ...

As the twentieth century fades out
the nineteenth begins
.......................................again
it is as if nothing happened
though those who lived it thought
that everything was happening
enough to name a world for & a time
to hold it in your hand
unlimited.......the last delusion
like the perfect mask of death

Friday, September 15, 2017

Rochelle Owens: From “Solarpoetics” (continued) 12-15


[Writes Owens of her new masterwork: “[In the order of the letters of the alphabet I am making use in these poems of a system of mental relations which by the act of writing becomes the poem, a cosmic meditation.”]

Vulnerable Flesh Eater

12

And of the volume of bread
eighty percent is empty space

*

The letter L  a right angle
walk down a street
step by step blood pushes
to the surface     
 
On your tongue  a metallic taste

Flour and water
yellow  sulfurous  a plume
of smoke  I strolled in wind  cold
and heat 

Drifting geometries 

Between victim and executioner 
T H E   R U I N S C A P E
the eyes move constantly while
reading body of data
 

13

Networks of neurons organize themselves 
chemical  molecular

*

The letter M vibrates in
the earth hums the rhythm 
of  spontaneous
change

Animal hole  spiritual soul 

Slapping flying insects
Insects far and near
spiritual hole 
animal soul
  
A secret tribal language

Work is a binding obligation  focus
on a common scene  a plume
of smoke  bread baking
butchery


14

Microbes in a petri dish
a method of colonizing and dispersing

*

The letter N  remembers 
once upon a time 
on the sea bed  strange
scars

A black line zigzags

Zones of inclusion  exclusion
the reading brain  eyes
moving constantly
pinpoint

A selected shape

A circle  a hole  a fat fold
of the abdomen  a breast vein
as thick as a finger 
A loaf of bread


15

All the letters are in nature 
the forms that our cortex chooses

*

The letter O is a hole
that engulfs  consumes  gut 
head and tail  one
animal

The pit of mayhem

Out of the digital age
a set of skills in sequential order
body of data  data
the body

Rhythmic the flow of hormonal forces

Edible the heart  tongue
and  liver  sings the poet maudite
salt  for the stew  salt
for the bread

[Earlier sections of Solarpoetics appear here and here on Poems and Poetics.]

Sunday, September 10, 2017

READINGS & LAUNCHES IN NEW YORK & PHILADELPHIA



In line with the publication of the expanded 50th anniversary edition of Technicians of the Sacred, as well as the revised edition of 15 Flower World Variations (1984), I’m calling the following events to the attention of any in the vicinity of New York and/or Philadelphia who are interested & inclined to attend.  With many thanks too to those who will be joining me as guest readers & celebrators.

September 28, 6:00 p.m.: Celebration & reading for Technicians of the Sacred, Kelly Writers House, University of Pennsylvania, Philadelphia.  With guest readers Charles Bernstein, Ron Silliman, Rochelle Owens, George Economou, Laynie Brown, Michelle Taransky, Ahmad Almallah, Julia Bloch, and Ariel Resnikoff.

October 1, 7:00 p.m.: Launch & reading for Flower World Variations, Howl Happening Gallery, 6 East 1st Street, NYC.  With an added reading by Cecilia Vicuña from her unpublished translation into Spanish.
           
October 3, 2017, 7:00 p.m.: Celebration & reading for Technicians of the Sacred, Poets House, New York.  With guest readers Anne Waldman, Cecilia Vicuña, Bob Holman, Papa Susso, George Quasha, Ariel Resnikoff, and Stuart Cooke.

Friday, September 8, 2017

Peter Minter: “Everything is Speaking,” a new poem with author’s note & biography




I go to sleep near the infants
breathing bodies, a small herd of nature
in layers of animation, the unknown
unfolding identical powers
delivered through a gateway of hearts
at body temperature. In a nest
of sleeping birds, you’re the bird
you’re the baby, I can hear you dreaming
fall forward into glistening swollen eyes
musty orange leaves, soft wet
twigs, the wings and shells of insects
fragments of bone in capillaries of moss
humus tangled into nets emerging
from the curve in the waterway
of night, wet roots and branches
pebbles in the pit of the tree’s black torso
more moss in leaf litter
emerging from bark, a currawong’s
yellow eye a single grain of gold
stars in the dark forest
a whisper escaloping space
with the radiance of the world
like a meteor blazing over the crest
silhouette trees eating fire as it falls
from the sky, consuming darkness
in a well of the absolute cold
I can smell in a long, drawn-in breath
smelling earth rock, a planet
of mammalian fur
                          a wind stirs
comes up full of energy
like a cold fire started in the centre of the planet
I see a star blank in and out
as a branch swings too-and-fro
and then gone again, the cosmos
blinded by low cloud, black squall & spume
thrown up into moonlight, rain
chaos spent, all the stars
blown into the bush
I see them flicker in the black leaves
and wet grasses. I get up
and watch rain thrash
under full moon light
a flower growing stronger in my memory
the closer death comes
to the window
                       as a young
man I stood in a colour field
the sky liberated
an avalanche of sweet pollen
in the wind, light pink apple
& plum flowers, chords
of sweat hanging in the air
gold spider webs and hot leaves
shimmering in the breeze
white clover and dandelion heads
riding a deep green pool
an aurora of tributaries in the blood
all over branch tips
to grow a rich mantle of breathing
walking, speaking, hearing
in a tunnel of wind
falling from the sun
                             even in sleep
beneath a dome of small white
moonlit clouds
the history of the human
dilates in a dream of darkness
a swan presented on a lake
of blue paper, figures of speech
curled up asleep on the hillside
under murmurous starlings
coveys of quails, the eggs of doves
pockets of eggs nesting
in the roots of tall yellow grasses
thick undergrowth & vapour
a woollen cortex
living in roots by the well
shining nerves in webs
strung out through the morning
gas
       emerging from the shadow
of sleep, the children stir
as a black cockatoo glides creaking overhead
the bright yellow sun on the cheek
the sun, the sun in the tail
high over trees beating silently
feathers escaloping wind
then I hear another, then another
more black cockatoos
I stand by the window, count fourteen
emerging from the night’s limpid air
the sun on their cheeks
in their tails, their creaking cry
sending stories out into the world
listening for a sign
that they have been heard
by the world, and so the kids
begin to squawk like the black cockatoos
their voices’ buoyancy
tender weights to swim
through the hardwoods, the ear
storing weight, the iris
storing colour, skin like a mirror
underwater, under air, a line of bubbles
along the spine in a line of teeth
the tongue planting letters
of blood every vertebrae
in a forest of sweet reversal
as leaves rise up in the larynx
to choke epistemology
like a solstice, just like words and sounds
are very condensed stories
every word here is a cosmos, the kids
running round like black cockatoos
in their pajamas
                        later
that day I turned the corner
of the house, light coiled suddenly
in gold steps drawn from the sun
through alder and hackberry branches
tree ferns and grass, stripes of lava
spread over the grass
and in the corner of the garden, at an edge
of the shade, a swirling cloud
of butterflies, fourteen black butterflies
just like the morning’s heralds
burst around the lawn
doodling black and orange and white
lines in the light against dark glossy
ferns in shadow. I stood and watched
their frail, articulate wings
daylight tensing up and down
with every emphasis. Each act of will
is responsible to life
and movement, the patterning
of air, light, sound, time
filaments of the cosmos made sentient
in a swirling body of butterflies
a tattoo of black wing ink
blooming through the air in the movement
of many wings, their filigree of depth
and duration said over and over
leaping from the skin
of all my ancestors
and everything they have said to me
                                                     as I
listened to the speaking form
of turning wings
I heard their voices too.
One big butterfly flew right out
took a couple of languid turns
around my head & blew away
as quick as the shadow of a black cockatoo
flying high into early evening,
calling we are still here
we are still here, we are still here.

[author’s note. “Everything is Speaking” was composed in mid-2016, as a companion piece, or perhaps more as a conversation, with Warren Cariou’s essay “Life-Telling: Indigenous Oral Autobiography and the Performance of Relation.” Together with Nēpia Mahuika’s “Telling ‘Us’ in the ‘Days Destined to You’”, our conversation was published in the summer 2016 issue of Biography, “Indigenous Conversations about Biography”, guest edited by Alice Te Punga Somerville, Daniel Heath Justice, Noelani Arista. Director of the Centre for Creative Writing and Oral Culture at the University of Manitoba, where he also holds a Canada Research Chair, Warren is active as a critic of Indigenous literatures and oral traditions, and has also produced works of film, photography, memoir, fiction, and poetry that focus on Indigenous experiences in Canada. Like me, Warren shares Aboriginal Métis and European heritage. His essay focuses on the work of Lakota/Kiowa Apache storyteller Dovie Thomason, maintaining that Indigenous forms of life-telling are central, vital and living modes of contemporary Indigenous expression. Written in Gundangara and Dharug country, “Everything is Speaking” reaches across the Pacific to Turtle Island, contributing to an Indigenous ontopoiesis in which filial, environmental and spiritual being are present, vocal and alive.]

Peter Minter is an Australian poet, poetry editor and writer on poetry and poetics. His books include the award-winning Empty Texas and blue grass, and his poetry has been widely published and translated internationally, most recently in his book In the Serious Light of Nothing (Chinese University Press Hong Kong, 2013). He was a founding editor of Cordite poetry magazine, co-edited the pioneering anthologies Calyx: 30 Contemporary Australian Poets and the Macquarie PEN Anthology of Aboriginal Literature, and has been the poetry editor for leading Australian journals Meanjin and Overland. He shares Aboriginal, Scottish and English ancestry, and teaches Indigenous Studies, Australian Literature and Creative Writing at the University of Sydney.